"Bend in a Stream with Three Ducks" by Edith Penman, Amer., (1860-1929) Tempera Thorpe often favored a dramatic

Thorpe often favored a dramatic black background to focus the viewer's attention on the vibrant color and delicate silhouette of blooms and foliage

"Interplay" is one of an important group of early etchings and block prints she made from 1961-63 in the Blackburn Studio

and "Pendeltons Lithography Boston" at lower right

the colors bright and unfaded

In 1938 Pollak and his wife settled in San Francisco which remained his base

"Bend in a Stream with Three Ducks" by Edith Penman, Amer., (1860-1929) Tempera Thorpe often favored a dramaticEtching. ca. 1890, ed. unknown, 6 7 16 x 9 3 16, signed in script in the plate below the image along with an etched dragonfly remarque, on thick stiff cream wove paper. Light soil, a few faint spots of foxing mostly in the margins, and browning at margin edges from contact with the previous frame. The artist was a member of both the New York Etching Club and the Byrdcliff Arts & Crafts colony in Woodstock, New York.